Terrain is an exceptionally lively event downtown Spokane.
As a newcomer to the city, I had no idea of Spokane’s incredible art scene.
There were hundreds of local works of art in every medium you could think of,
an incredible sight indeed. I was overwhelmed with the talent and livelihood of
Spokane’s biggest art event, and was proud to think this city was my new home. I
was unable to attend Terrain’s main event on Friday evening, however I did
attend the artist reception. During the event, one piece in particular stood
out to me: a collection of ceramic and lace pieces draped over vintage
furniture. The ceramic pieces were of a light salmon color and formed in a
manner that resembles coral. The lace was incorporated through out the pieces
and helped the fluidity of the overall piece.
Each furniture piece was paired with a coral cluster in varying sizes,
though the balance of ceramic and furniture was seamless. As I had gone to the
artist reception instead of the main event, the name card for this particular
piece was not placed, and thus I am unaware of the artists name and work title.
Though I found the mystery of the title to further intrigue me in understanding
this work of art. I loved the delicateness the pieces portrayed, especially
next to the aged furniture. I found the paring to be complimentary and the
whole piece aesthetically fluid. The
contrast of soft and rigid drew me to the piece, as often furniture is
associated with comfort and leisure. The coral aesthetic of the pieces created
a visual alien like appearance, drawing the viewer in to examine the piece and
create a more personal connection. Most interesting was the idea of taking
something fragile and paring it with stable furniture, removing the element of
comfort from a home setting and instead adding the element of fragility.


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